![]() ![]() ![]() #Anamorphic pro review seriesThe C Series has been a creator’s go-to lens since 1968. Panavision C & E Series: Amazing optical quality If you’re looking for creating a truly cinematic experience, this lens is not merely a ‘nicesity’ it’s a necessity. It only has a dual focus, which essentially means that you need to focus both the taking lens and the anamorphic lens to achieve your desired focus (It’s that Iscorama patent – who can give the patent office a call?). This is due to its edge-to-edge sharpness, corner transmission and centre sharpness. This lens is perfect if you’re looking to shoot insanely sharp images with high-resolution cameras like the Panasonic GH5. SIRUI 35mm/50mm: Extends image for a cinematic shot First of all, let’s talk about that 2X squeeze… this will give you a natural and organic look – and I don’t mean to sound superficial, but it’s all about the look! Many anamorphic lenses tend to be larger and heavier than the spherical lenses – not the Sankor 16F! This lens is so light that you won’t need any support. Now, let’s take a look at its awesome advantages. Also, its lens focus can come as close as 1.5m, which gives you a decently close–up, but if you’re into catching those tiny details, then you might want to acquire a diopter. It has a bit of a tricky vignette, so when strong light hits the lens it reflects on the inside of the barrel and causes light to flare and bloom in a vignette shape around the edges of your image. The bit cheaper alternative is the Sankor 16F, that’ll still provide you with nothing less than beautiful aesthetics and diverse looks and moods. The most popular among these the Sankor 16C. Sankor really put in an effort when creating not one, not two, but three anamorphic lenses. ![]()
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